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The KALA 21 uses a single custom computer for both Server and Player apps. The Server/Player computer is derived from the Player computer in the KALA 50 but with increased processing resources.
The medium-power Server/Player computer controls what is played and allows you to play over your network to multiple end-points, and to the DAC in your main system by USB.
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The KALA 22 uses a single custom computer for both Server and Player apps. The Server/Player computer is derived from the Player computer in the KALA 50 but with increased processing resources. The KALA 22 outputs are the same as for the KALA 50, except that Ethernet streaming to your DAC is over your network (the KALA 50 and KALA 41 additionally provide Direct Streaming).
The medium-power ... [more]
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The KALA 41 is a powerful Server-Only device, optimised for running Server apps, and performing at the same level as the Server engine in the KALA 50. This quality level of Server running the Server app will add layers of additional musical insight, and will prove indispensable in any high-end audio system.
The Server engine is the heart of any computer audio system, m... [more]
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The KALA 50 uses a custom computer designed for Server Apps and another designed for Player Apps, and multiple cascaded processing stages.
The Server engine provides a high-power buffer and signal generation stage. Turning a file or a chaotic internet stream into a well-timed stream is managed by Server apps and benefits strongly from a high level of processing resources. The Player engine ... [more]
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The Oladra employs premium parts throughout and multiple computing and processing stages.
The Oladra uses a unique custom computer optimised for Server Apps and another optimised for Player Apps.
Multiple cascaded processing stages then create a signal with high-bandwidth and virtually zero noise below the bitrate, which ensures that the timing of binary data transitions are precisely d... [more]
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The Master Clock utilises our new ACTUS and dCS Tomix protocols to deliver unrivalled jitter performance, providing our lowest jitter, lowest drift and most accurate clocking signal.
Its design is informed by our decades of experience developing audio master clocks for both professional and home use.
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The invention of Digital Room Correction (DRC) is one of the most significant improvements to sound reproduction for decades. DRC is an advanced time domain based technique where omplex anti-reflection signals are generated to counteract room resonances and room cancellations while leaving the original sound signal unaltered. The Copland DRC-205 is based on the Danish technology provider Dynato... [more]
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Magico S3
