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Equally suited to traditional two-channel or complex multi-channel applications, and with color options making it aesthetically compatible with any décor, the S1.5 delivers design and performance in an extremely flexible package. The S1.5 employs the same Beryllium tweeter, Nano-Tec mid-range driver technology, as well as Magico’s acoustic-suspension enclosure platform with the...[more]

The S7 is a full range, 3-way design, floor standing loudspeaker that incorporates new tweeter, midrange and bass driver designs which are derived from the engineering triumphs in the MProject loudspeaker. Towering over other S-Series models, the acoustic suspension enclosure of the S7 features curved aluminum side panels that are machined in-house from half-inch thick aluminum extrusions which...[more]

Every Sabrina crossover is a solitary work of art, each built individually to match the reference crossover. Wilson mandates tolerances that are as stringent as plus-or-minus point-two percent (two-tenths of a percent)—much more exacting than what even the best individual components can achieve. While other high-end manufacturers accept this lack of precision as au fait, and crank out tin...[more]

A short animated video revealing the form-factor changes within the SabrinaX in comparison to the previous model. The SabrinaX is a ground-up rethinking of the Sabrina, perhaps the most universally loved of Wilson’s small, floor-standing loudspeakers during the last several decades. The original Sabrina attracted a loyal, almost cult-like following. It was a rare combination of traditio...[more]

Krell uses high performance, discrete topologies throughout the SACD Standard, including the multi-channel gain stages. Surface Mount Technology, a state-of the art circuit miniaturization technique, provides the circuit density and signal transfer capability demanded by complex Krell circuit designs.Matched 24-bit /192 kHz DACs are used on all channels, and the balanced left and right output circ...[more]

The Man Who Started it All The original WATT began not as a response to a perceived market need. It was not the product of focus groups. Dave Wilson never intended it to be a commercial product at all. Dave designed the WATT in 1985 as a tool for himself. He was a recording engineer who needed a loudspeaker he could take with him to on-location recording venues, a location monitor that s...[more]

The tweeter portion of the Sasha Series-2 Wilson's Audio baffle is now made from the latest generation of X-Material, like in the Alexia. The midrange portion of the baffle continues to be S-material. S-material was developed specifically for use in midrange baffles, and is a wonder of midrange beauty and low-resonance. In combination with X-material, S-material reduces measurable and audible n...[more]

Succession is a fact of life in both royal dynasties and venerable audio products. It inevitably calls forth complex emotions, hence the resonance of the phrase above, reputedly first uttered upon the death of Charles VI of France, and thereafter part of the ritual of ascension in many European countries, including England. For the past 23 years, no product represented the soul and history...[more]

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Like the larger HD220, the new SD135 ("SD" for "Silicon Drive") uses Thermal TrakŽ self-biasing output devices in a Class A-B design. And like the HD220, it accommodates either single-ended or balanced inputs. But unlike the larger hybrid, the SD135 features an all-solid-state input stage using multiple JFET devices in each channel, directly driving the output stage – no interstage coupling capa...[more]